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Moby  Main Performer

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Used - Audio Compact Disc

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1 Honey Moby [1] 3:27
2 Find My Baby Moby [1] 3:58
3 Porcelain Moby [1] 4:01
4 Why Does My Heart Feel So Bad? Moby [1] 4:23
5 South Side Moby [1] 3:48
6 Rushing Moby [1] 2:58
7 Bodyrock Jackson/Moby [1]/Ro 3:34
8 Natural Blues Moby [1] 4:12
9 Machete Moby [1] 3:36
10 7 Moby [1] 1:00
11 Run On Moby [1] 3:43
12 Down Slow Moby [1] 1:34
13 If Things Were Perfect Moby [1] 4:17
14 Everloving Moby [1] 3:24
15 Inside Moby [1] 4:47
16 Guitar Flute & String Moby [1] 2:07
17 The Sky Is Broken Moby [1] 4:17
18 My Weakness Moby [1] 3:37
  • Overview
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Audio Compact Disc

Label: V2

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UPC: 638812704924

Release Date: 06/01/1999

Original Release Date: 06/01/1999

Number of Discs: 1

Tracks: [Honey, Find My Baby, Porcelain, Why Does My Heart Feel So Bad?, South Side, Rushing, Bodyrock, Natural Blues, Machete, 7, Run On, Down Slow, If Things Were Perfect, Everloving, Inside, Guitar Flute & String, The Sky Is Broken, My Weakness]
Contributors:
  • Moby  Main Performer 

John Bush

Following a notorious flirtation with alternative rock, Moby returned to the electronic dance mainstream on the 1997 album I Like to Score. With 1999's Play, he made yet another leap back toward the electronica base that had passed him by during the mid-'90s. The first two tracks, "Honey" and "Find My Baby," weave short blues or gospel vocal samples around rather disinterested breakbeat techno. This version of blues-meets-electronica is undoubtedly intriguing to the all-important NPR crowd, but it is more than just a bit gimmicky to any techno fans who know their Carl Craig from Carl Cox. Fortunately, Moby redeems himself in a big way over the rest of the album with a spate of tracks that return him to the evocative, melancholy techno that's been a specialty since his early days. The tinkly piano line and warped string samples on "Porcelain" frame a meaningful, devastatingly understated vocal from the man himself, while "South Side" is just another pop song by someone who shouldn't be singing -- that is, until the transcendent chorus redeems everything. Surprisingly, many of Moby's vocal tracks are highlights; he has an unerring sense of how to frame his fragile vocals with sympathetic productions. Occasionally, the similarities to contemporary dance superstars like Fatboy Slim and Chemical Brothers are just a bit too close for comfort, as on the stale big-beat anthem "Bodyrock." Still, Moby shows himself back in the groove after a long hiatus, balancing his sublime early sound with the breakbeat techno evolution of the '90s. ~ John Bush, Rovi