Wild Ones
Kip Moore Composer , Kip Moore Vocals (Background) , Kip Moore Producer , Kip Moore Art Direction , Kip Moore Main Performer
See full product detailsChoose a format:
| 1 | Wild Ones | DeStefano/James/Moo | 3:23 |
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| 2 | Come and Get It | James/Medina/Moore | 4:57 |
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| 3 | Girl of the Summer | Daly/Moore/Verges | 3:58 |
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| 4 | Magic | Davis/Dick/Moore | 3:37 |
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| 5 | That Was Us | Couch/Davis/Moore | 4:01 |
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| 6 | Lipstick | Davis/Frasier/Moore | 4:19 |
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| 7 | What Ya Got on Tonight | Daly/Moore/Verges | 3:01 |
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| 8 | Heart's Desire | Browder/Couch/Moore | 4:22 |
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| 9 | Complicated | Clawson/DeStefano/M | 3:04 |
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| 10 | I'm to Blame | Davis/Moore/Weaver | 2:18 |
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| 11 | That's Alright with Me | Couch/Dick/Moore | 3:38 |
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| 12 | Running for You | Daly/Moore/Verges | 3:34 |
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| 13 | Comeback Kid | Copperman/Dylan/Hyd | 3:14 |
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Overview
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Production Details
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Editorial Reviews
Wild Ones
Audio Compact Disc
Label: MCA Nashville
Category: Pop/Rock
Wild Ones
UPC: 602537688852
Release Date: 08/21/2015
Original Release Date: 08/21/2015
Number of Discs: 1
Stephen Thomas Erlewine
Kip Moore scored three big bro country hits in the two years surrounding 2012 –- "Somethin' 'Bout a Truck" was the 2011 breakthrough, followed by "Beer Money" in 2012 and "Hey Pretty Girl" in 2013 -- but he struggled on the journey to his second album, delivering two singles that, in his words, "stiffed," leading him to scrap an entire LP and write a new record, presumably one that's more commercial. Wild Ones, delivered three years after Up All Night, is that official second record and, as the neon-speckled album cover indicates, it's an album indebted to the '80s and not the hybrid of Hall & Oates and Paul Young suggested by the art, either. Moore plays up his middle-America bona fides, eager to conjure some of the spirit of fellow Springsteen fan Eric Church, but where Church prefers beefy guitars, Moore favors open-road anthems, songs that feel masculine but retain a vulnerable core. Such an emphasis on ballads and deliberate midtempo rockers gives Wild Ones a soft, even hazy touch when compared to the glossy snap of Up All Night, a shift that neatly punctures whatever lingering bro country affections remain in Moore's music. Instead of living for tomorrow's parties, he's rhapsodizing about good times once had in a style that funnels prime Bon Jovi through John Mellencamp. If Kip's songs aren't as hook-heavy or as sticky as his idols, it is nevertheless admirable that he's completely revamped his sound so he doesn't feel like anybody else in contemporary country -- not his bro country peers, not Church, not a red dirt refugee or macho rocker. He's effectively evoked the feel and aesthetic of mid-'80s heartland rock, and if that doesn't necessarily make him a wild one, it does make him a rebel of sorts. ~ Stephen Thomas Erlewine, Rovi
