Wild Ones

Kip Moore  Composer Kip Moore  Vocals (Background) Kip Moore  Producer Kip Moore  Art Direction Kip Moore  Main Performer

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1 Wild Ones DeStefano/James/Moo 3:23
2 Come and Get It James/Medina/Moore 4:57
3 Girl of the Summer Daly/Moore/Verges 3:58
4 Magic Davis/Dick/Moore 3:37
5 That Was Us Couch/Davis/Moore 4:01
6 Lipstick Davis/Frasier/Moore 4:19
7 What Ya Got on Tonight Daly/Moore/Verges 3:01
8 Heart's Desire Browder/Couch/Moore 4:22
9 Complicated Clawson/DeStefano/M 3:04
10 I'm to Blame Davis/Moore/Weaver 2:18
11 That's Alright with Me Couch/Dick/Moore 3:38
12 Running for You Daly/Moore/Verges 3:34
13 Comeback Kid Copperman/Dylan/Hyd 3:14
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Wild Ones

Audio Compact Disc

Label: MCA Nashville

Category: Pop/Rock

Wild Ones

UPC: 602537688852

Release Date: 08/21/2015

Original Release Date: 08/21/2015

Number of Discs: 1

Tracks: [Wild Ones, Come and Get It, Girl of the Summer, Magic, That Was Us, Lipstick, What Ya Got on Tonight, Heart's Desire, Complicated, I'm to Blame, That's Alright with Me, Running for You, Comeback Kid]
Contributors:

Stephen Thomas Erlewine

Kip Moore scored three big bro country hits in the two years surrounding 2012 –- "Somethin' 'Bout a Truck" was the 2011 breakthrough, followed by "Beer Money" in 2012 and "Hey Pretty Girl" in 2013 -- but he struggled on the journey to his second album, delivering two singles that, in his words, "stiffed," leading him to scrap an entire LP and write a new record, presumably one that's more commercial. Wild Ones, delivered three years after Up All Night, is that official second record and, as the neon-speckled album cover indicates, it's an album indebted to the '80s and not the hybrid of Hall & Oates and Paul Young suggested by the art, either. Moore plays up his middle-America bona fides, eager to conjure some of the spirit of fellow Springsteen fan Eric Church, but where Church prefers beefy guitars, Moore favors open-road anthems, songs that feel masculine but retain a vulnerable core. Such an emphasis on ballads and deliberate midtempo rockers gives Wild Ones a soft, even hazy touch when compared to the glossy snap of Up All Night, a shift that neatly punctures whatever lingering bro country affections remain in Moore's music. Instead of living for tomorrow's parties, he's rhapsodizing about good times once had in a style that funnels prime Bon Jovi through John Mellencamp. If Kip's songs aren't as hook-heavy or as sticky as his idols, it is nevertheless admirable that he's completely revamped his sound so he doesn't feel like anybody else in contemporary country -- not his bro country peers, not Church, not a red dirt refugee or macho rocker. He's effectively evoked the feel and aesthetic of mid-'80s heartland rock, and if that doesn't necessarily make him a wild one, it does make him a rebel of sorts. ~ Stephen Thomas Erlewine, Rovi